I'll admit, I'd never heard of this guy until I saw him on Letterman the other night. Considering his album has been lauded from Nashville to New York, I guess I'm a little late to the game. Anyway, I've got to tell you, this is easily the best of the four albums I've picked up this week.
Once upon a time, there were a lot of country singers who sounded like this. His voice is deep and grizzled. Like Jennings and Jones before him (as he references in one song), he doesn't sound like a guy who set out to be a star. He sounds like an outlaw from the road with war stories to tell. In his case, these are the stories of drug abuse, a dissolved marriage being dropped by his first label.
So what is it about this guy that hits me just right? I think it's that his traditional sound and familiar stories actually sound legitimate. This isn't some guy approximating the old-time country sound. Rather, he's an actual old-soul who knows intimately of the pain he sings. When he tells me "the high cost of living ain't nothing like the cost of living high," I don't imagine him smiling at his desk for having turned a clever phrase. Rather, I see a man lamenting his life and hoping that the act of bearing his soul might unburden his heart. Or at least open the door for better days ahead.
1 comments:
This is a really great album. As you said, he has that sound that you just didn't think legitimately existed anymore. It won't be for everyone, but for those who like this sort of thing, it's a must listen.
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